During the 19th century, the French school of Impressionists were especially fond of a practice they coined "plein air," which refers to painting outdoors in the natural atmosphere. They were of the opinion that doing so aided them in capturing the effect of atmosphere and light on surfaces, such as landscapes, water, and figures. Other benefits resulted, as well. The painter was forced to paint faster, for the light was constantly changing. Their compositions were simplified for time's sake. They learned to eliminate unnecessary details from their work. Their work grew "looser," more economical in composition, and their color became richer, more vibrant. Today, this practice is more popular than ever. Many artists choose to paint outdoors routinely, entering studios only when weather forces them in or to do finishing work on field studies. For those who enjoy the "great outdoors" there is little wonder. Nothing compares to painting "in the field." This small piece was done in 30 minutes (I timed myself) simply because daylight was waning. I had no choice but to throw on the paint. ...not the best, but anytime one paints outside, time is not wasted.
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